The history of rock music will forever be highlighted by a select few who managed to achieve far greater heights than their contemporaries. Jimi Hendrix is one, with the sheer brilliance and expertise par excellence, had no boundaries or restrictions to limit his potential and the magic he was capable of with the guitar.
With no rules to abide by and no sequences to follow – he was unstoppable, with unwavering courage to explore and carve musical planes that have never been heard of before. Jimi Hendrix made it worth it, to be considered as the undisputed God of Blues genre and escalated legendary milestones to a whole new height, making it even more challenging for his successors to touch that level of greatness.
It is quite refreshing to note that the post-Hendrix era is populated with several names that took it upon them to take forward the ‘Hendrix Legacy’ and took pride in following the path laid by the eternal maestro of Rock/Hard Rock. Eddie Van Halen, for instance, is one of those few names who made their signature mark on the music scene of the 1970s and 1980s.
The mastery he had held over his personalized six-stringed instruments ensured that it was him that controlled how his guitar would work and what he squeezed out of the chords, not the other way round. So, it all makes perfect sense if we say that the musical planes and the untapped realms that he ventured into were not a coincidence, rather his brilliance, forte, and excellence.
An analysis of his notes and techniques is a strong validation of his great and intricate attention to detail. Fast, furious and with an extreme audacity to make your eardrums experience new heights of musical ecstasy, Eddie Van Halen himself compares his playing style to a racing car, going down the road, blitzing through everything that comes in between.
Just like Hendrix – the Blues/Rock maestro, Van Halen too had little to stop him when it came to playing the whammy bars and gave a whole new meaning to the heavy metal rock through ‘Panama’, ‘Eruption’ and ‘Hot for Teacher’. His notes made a profound impact that was anything but distortion. Perfectly planned, and intricately carved, every single fluctuation and nuance still makes an impression as if a far-fetched fantasy is coming to life.
His musical virtuosity is a depiction of his uniqueness, and entails his signature sound, as in, the dive bombs, fast licks, finger tapping and pinching on natural harmonics. He was not just a pioneer or the catalyst of a new style; he made them popular and inspired many young artists and musicians that took pride in following his lead. The way he used effects pedals, hot-rodded amps and custom modded guitars, it escalated the musical bar and ensured that hard rock still had a lot in it to be explored.
It was all worth it, for apart from countless other awards and accolades, including the Grammy Award for ‘For Unlawful Carnal Knowledge’ (1992), American Music Award for ‘For Unlawful Carnal Knowledge’ (1991), MTV Music Awards for ‘Jump’ (1984), ‘Finish What Ya Started’ (1989), and two awards for ‘Right Now’ in 1992, Eddie Van Halen was declared the ‘Greatest Guitarist of all Times’ in a poll conducted by Guitar World Magazine.
More than the awards and accolades that mark his musical career, he inclines to develop his signatures taps, his understanding of the strings and chords and the perfect chemistry between his fingertips and his instruments, that enabled him to produce not just a piece of music but a real treat to cherish for a lifetime. It is his successful attempts at turning the impossible into possible with a mere finger tap that justifies that if anyone could be rendered as a successor to the ’Hendrix legacy, Eddie Van Halen almost makes it too.
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